“Dar-Dar”, Paul Urkijo Alijo (Spain)
In a remote village in the mountains, a woman abuses her child making her sweep the ground of the haunted hut. A monster comes down the chimney.
“No Podrás Volver Nunca”, Mónica Mateo (Spain)
A woman gets trapped in a corridor outside her apartment. What expects her is not at all normal.
“Zealandia”, Bruno Du Bois (New Zealand/ Belgium)
The only virus free territory is Zealandia. Refugees flock there hoping for a better lif, that is if the can get past the oppressive border controls.
“Pandora”, Matthias Lerch (Germany)
From chaos, a child is born. The organic and the mechanic, both in search of Life. Pandora
“Regarde Ce Que Tu As Fait!”, Monica de Almeida (Switzerland)
A man kills his girlfriend. He is interrogated by a psychologist. He says “I didn’t kill her. He did”.
“Conversations with a monkey”, Grojo (Spain)
A man talks to his robot partner about creative thinking and the problems of the future universe.
“[Out of Sync]”, Sasuke Sayama (Japan)
Technology doesn’ t solve everything. But it may certainly complicate.
“3 Murs & Un Toit”, Mathilde Dugardin, Orane Laffra, Hugo de Magalhães, Wassim El Hammami (France)
A doll house and a few characters inside. A little girl has to enter its world of wonder so that she can decipher a mystery.
“Tongue with Capers”, David Mataró (Spain)
Outside, the world is dominated by zombies. But a woman seems not to be afraid of them.
“Carmentis”, Antony Webb (Australia)
In a mining facility, one of the workers falls from a great height. A game of survival witnessed by strange gentle creatures.
“Abracitos”, Tony Morales (Spain)
Abracitos is in my room, says the crying little girl to her sister. “Abracitos doesn’t exist” says her sister. From the diretor of “Hada” and “Black Eyed Child”, both screened in competition.
“Rutina: La prohibición”, Sam Orti (Spain)
Who has access to oxygen? Who can live? A story of money, power and corruption. Animation.
“Out At Night”, Christopher Hewitt (UK)
A man gives a lift to another one who walks the streets. To have a private moment they stop in a not very adequate place.